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Movies Detail of Going and Coming Back (1985)
✓ Title : Going and Coming Back
✓ Original Title : Partir, revenir
✓ Release Date : March 27th, 1985
✓ Genre : Drama
✓ Runtime : 114 minutes
✓ Directors : Claude Lelouch, Françoise Ebrard
✓ Writer : Jérôme Tonnerre
✓ Companies : UGC, Les Films 13, FR3
✓ Country : France
✓ Cast : Jean-Louis Trintignant, Richard Anconina, Jean Bouise, Michel Piccoli, Charles Gérard, Françoise Fabian, Erik Berchot, Annie Girardot, Denise Péron, Evelyne Bouix
✓ Original Title : Partir, revenir
✓ Release Date : March 27th, 1985
✓ Genre : Drama
✓ Runtime : 114 minutes
✓ Directors : Claude Lelouch, Françoise Ebrard
✓ Writer : Jérôme Tonnerre
✓ Companies : UGC, Les Films 13, FR3
✓ Country : France
✓ Cast : Jean-Louis Trintignant, Richard Anconina, Jean Bouise, Michel Piccoli, Charles Gérard, Françoise Fabian, Erik Berchot, Annie Girardot, Denise Péron, Evelyne Bouix
Synopsis of Going and Coming Back (1985)
Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

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◈ Going and Coming Back Full Movie Watch Online Without Sign Up - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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