For 80 Days (2010)


Movies Detail of For 80 Days (2010)

✓ Title : For 80 Days
✓ Original Title : 80 egunean
✓ Release Date : May 21st, 2010
✓ Genre : Drama
✓ Runtime : 104 minutes
✓ Directors : Jon Garaño, Jose Mari Goenaga, Ángel Lafuente
✓ Writers : Jon Garaño, Jose Mari Goenaga
✓ Companies : Irusoin, Moriarti Produkzioak, EiTB
✓ Country : Spain
✓ Cast : Mariasun Pagoaga, Ane Gabarain, Itziar Aizpuru, Patricia López, José Ramón Argoitia, Zorion Eguileor

Synopsis of For 80 Days (2010)

Axun, a 70 year old woman, is called from the hospital to take care of her daughter's ex-husband, who was seriously injured in a car accident. To her surprise, the woman who takes care of the other patient in the same hospital room turns out to be Maite, her best friend when teenagers. They have not seen each other for more than 50 years. The hospital visits will show that the close relationship they had when teenagers is still alive. Their relationship was very special fifty years ago but nowadays the same feelings flourish. Where is the thin line that separates friendship from desire?

For 80 Days (2010)


For 80 Days (2010)

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Well, For 80 Days (2010) is good movie with a talanted cast and top level director. The For 80 Days (2010) itselft directed by Jon Garaño, Jose Mari Goenaga, Ángel Lafuente and Starring by Mariasun Pagoaga, Ane Gabarain, Itziar Aizpuru, Patricia López, José Ramón Argoitia, Zorion Eguileor which made For 80 Days (2010) enjoyable to watch and spending your time alone or with family and friends.

For 80 Days (2010)

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◈ For 80 Days Story In Short - As a wider variety of writers began to work with cyberpunk concepts, new subgenres of science fiction emerged, playing off the cyberpunk label, and focusing on technology and its social effects in different ways. Many derivatives of cyberpunk are retro-futuristic, based either on the futuristic visions of past eras, or more recent extrapolations or exaggerations of the actual technology of those eras.

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◈ For 80 Days F U L L Movie Camrip - some critics suggest has evolved from cyberpunk. Like its predecessor, postcyberpunk focuses on technological developments in near-future societies, typically examining the social effects of a ubiquitous datasphere of computerized information, genetic engineering, modification of the human body, and the continued impact of perpetual technological change. Unlike "pure" cyberpunk, the works in this category feature characters who act to improve social conditions or at least protect the status quo from further decay.

◈ For 80 Days 2010 Lancamento - transposes themes of American Western books and film to a backdrop of futuristic space frontiers; it is the complement of the science fiction Western, which transposes science fiction themes onto an American Western setting.

◈ - The sagas (from Icelandic saga, plural sögur) are stories about ancient Scandinavian and Germanic history, about early Viking voyages, about migration to Iceland, and of feuds between Icelandic families. They were written in the Old Norse language, mainly in Iceland. The texts are epic tales in prose, often with stanzas or whole poems in alliterative verse embedded in the text, of heroic deeds of days long gone, tales of worthy men, who were often Vikings, sometimes Pagan, sometimes Christian. The tales are usually realistic, except legendary sagas, sagas of saints, sagas of bishops and translated or recomposed romances. They are sometimes romanticised and fantastic, but always dealing with human beings one can understand.

◈ For 80 Days Movie In Bahrain - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.

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◈ For 80 Days Free Movie Online - A sub-subgenre of science fantasy that takes place either at the end of life on Earth or the End of Time, when the laws of the universe themselves fail. More generally, the Dying Earth subgenre encompasses science fiction works set in the far distant future in a milieu of stasis or decline. Themes of world-weariness, innocence (wounded or otherwise), idealism, entropy, (permanent) exhaustion/depletion of many or all resources (such as soil nutrients), and the hope of renewal tend to pre-dominate.

◈ For 80 Days F U L L Movie Blog - has elements of science fiction in a Western setting. It is different from a Space Western, which is a frontier story indicative of American Westerns, except transposed to a backdrop of space exploration and settlement.

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◈ For 80 Days 2010 Online - A fantasy story is about magic or supernatural forces, rather than technology (as science fiction) if it happens to take place in a modern or future era. Depending on the extent of these other elements, the story may or may not be considered to be a "hybrid genre" series; for instance, even though the Harry Potter series canon includes the requirement of a particular gene to be a wizard, it is referred to only as a fantasy series.

◈ For 80 Days Spoiler Film - Magical realism, also called Magic realism, is literary works where magical events form part of ordinary life. The reader is forced to accept that abnormal events such as levitation, telekinesis and talking with the dead take place in the real world. The writer does not invent a new world or describe in great detail new creatures, as is usual in Fantasy; on the contrary, the author abstains from explaining the fantastic events to avoid making them feel extraordinary. It is often regarded as a genre exclusive to Latin American literature, but some of its chief exponents include English authors. One Hundred Years of Solitude, by Gabriel García Márquez, who received the 2010 Nobel Prize in Literature, is considered the genres seminal work of style.


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